WHAT WE DO

Digital & Live

DIGITAL THEATRE

Digital Theatre is an evolving art-form and we have been exploring it since our debut project In Souliloquy in 2016. This work is digitally responsive and engaging, but grows from theatricality and performance.

Since then we have expanded into other short digital theatre work - including On Guard in 2018.

LIVE THEATRE

We are all trained & experienced theatre practitioners who love to play with form, and push the boundaries of what theatre can be. This means we continue to make live work alongside our digital work.

Between us, we have worked on all sorts of projects - including a musical that was tweeted about by The Rock (yes that one!).

V&T - WHO WE ARE

Tilly Lunken is a writer and dramaturg. She is a graduate of the Royal Court, Garage Theatre and Menagerie Young Writer's Programs and the Criterion Writing Program/ Criterion Story Development group. She is currenently a member of the Finborough Writing Group. Tilly has a BA (First Class Honours) from the University of Melbourne and an MA Creative Writing - Scriptwriting (dist.) from the University of East Anglia, receiving the Malcolm Bradbury Development Award. She's been mentored through Little Angel Theatre and Norwich Puppet Theatre.
Tilly is co-Artistic Director and principal writer for In Souliloquy.

Franco-American Victorine Pontillon has divided her life between the two countries, and is now settled in London, working as freelance director, filmmaker, photographer and producer. After obtaining her Baccalaureat Litteraire from the Lycee Victor Hugo in Caen, with a concentration in Art History and Theatre, she returned to the USA for a BFA in Theatre Performance from FAU, graduating Suma Cum Laude in 2011, before completing her MA in Acting (International) at East 15 Acting School. She is an Artistic Director, co-producer and director for In Souliloquy, (for which she wrote and performed Margaret of Anjou), an Artistic Associate of Goblin Baby Theatre Company, and was an Associate Producer for the Charing Cross Theatre.

Kate Sketchley is a London-based actor, who trained on the MA Classical and Contemporary Text (Acting) program at the Royal Conservatoire of Scotland. She also has a BSc in Psychology from McGill University in Montreal, Canada.

We work with many collaborators on our projects.

OUR PROJECTS

Past & Present

MECHANICALS' MACBETH

Mechanicals’ Macbeth is a comedy that bursts out of traditional form, bringing new audiences to classical theatre.

The Mechanicals playing troupe from Midsummer Night’s Dream are taking on a new scale of tragedy: Macbeth. It is production week and all is not well. Lines are not down, the set is not up, the stakes are high and the lead actor (Bottom, naturally) is disturbingly reflecting his character’s behaviour. For it’s a funny thing this Scottish Play, it gets inside you and before you know it you’re fulfilling prophecies you weren’t expecting and roles you never asked for.

And why this play, the King’s favourite, at this time? Intrigue swirls around the players as they battle to pull everything together and validate themselves Professionals. Who has the right to these words? Who is theatre for? Big questions are explored in this work, drawing on player traditions, both theatrical and folk - in raucous, fun and innovative new writing.